
Technology, identity, and the archival image.
01 — Collection
63 plates in the public archive

PLATE · 001 · PHOTOGRAPHS
Pinnacle
Photographs · Archival pigment print · n.d.

PLATE · 002 · PHOTOGRAPHS
Cleft
Photographs · Archival pigment print · n.d.

PLATE · 003 · PHOTOGRAPHS
Causeway
Photographs · Archival pigment print · n.d.

PLATE · 004 · PHOTOGRAPHS
Spume
Photographs · Archival pigment print · n.d.

PLATE · 005 · PHOTOGRAPHS
Outcrop
Photographs · Archival pigment print · n.d.
02 — Bodies of work

03 — Record
Click an image to open the exhibition report









Material
Hahnemühle Photo Rag · hand-numbered · certificate of authenticity
Archival pigment prints — limited editions, produced to order
Enter the edition room →04 — Editions
From the plate to the wall. Museum-grade archival pigment prints, hand-numbered and produced in strictly limited editions — printed to order, shipped worldwide.
Size & material
Featured
All in this room
05 — Studio

Camberwell College of Arts, UAL
University of Nottingham
Charles Harrop-Griffiths works with the visual archive — the way memory, identity, and technology rewrite the same image across screen, plate, and room.
His practice moves between photography, digital composition, physical transfer on aluminium, and XR environments. Exhibitions have ranged from Gazelli Art House in Mayfair to rooms in Dubai, Brooklyn, Paris, and Hamilton.
Editions exist so a plate can leave the archive and sit on a wall — museum-grade pigment prints, hand-numbered, produced to order. The site is the catalogue; the work remains the point.