Technology, identity, and the archival image.
01 — Collection
The Archive
63 plates in the public archive
02 — Bodies of work
Series
03 — Record
Exhibitions
Selected shows
Awards, Residencies & Talks
Press
Documentation
Click an image to open the exhibition report
Material
Hahnemühle Photo Rag · hand-numbered · certificate of authenticity
Archival pigment prints — limited editions, produced to order
Enter the edition room →04 — Editions
Shop
From the plate to the wall. Museum-grade archival pigment prints, hand-numbered and produced in strictly limited editions — printed to order, shipped worldwide.
Size & material
- Sizes vary by edition — typically A3, A2, and larger museum formats.
- Printed to order on Hahnemühle Photo Rag or fine-art giclée stock.
- Unframed · ships flat or rolled depending on size · worldwide.
- Hand-numbered, signed, with certificate of authenticity.
- Available sizes · 27×27cm · 30x30cm · 30x45cm · 40x40cm · 40x60cm · 50x50cm · 52×52cm · 60x80cm · 70x100cm · 84×84cm · A1 · A2 · A3 · A4
Featured
All in this room
05 — Studio
Education
MA Fine Art Digital
Camberwell College of Arts, UAL
BA History of Art
University of Nottingham
Statement
Charles Harrop-Griffiths works with the visual archive — the way memory, identity, and technology rewrite the same image across screen, plate, and room.
His practice moves between photography, digital composition, physical transfer on aluminium, and XR environments. Exhibitions have ranged from Gazelli Art House in Mayfair to rooms in Dubai, Brooklyn, Paris, and Hamilton.
Editions exist so a plate can leave the archive and sit on a wall — museum-grade pigment prints, hand-numbered, produced to order. The site is the catalogue; the work remains the point.