
Technology, identity, and the archival image.
01 — Collection
18 curated plates — full index available

PLATE · 001 · PHOTOGRAPHS
Pinnacle
Photographs · Archival pigment print · n.d.

PLATE · 002 · CHIMERA
Digital Chimera 06
Chimera · Digital print · 2023

PLATE · 003 · SIGNALS
Signals 03
Signals · Etching on aluminium · 2022

PLATE · 004 · CHIMERA
Chimera 03
Chimera · Photo transfer, ink & etching on aluminium · 2023

PLATE · 005 · DIGITAL WORKS
NetHead
Digital Works · Digital print · 2021

PLATE · 006 · PHOTOGRAPHS
Cleft
Photographs · Archival pigment print · n.d.

PLATE · 007 · FIGURATIVE
Three Graces
Figurative · Ink & etching on gilded aluminium · 2020

PLATE · 008 · SIGNALS
Signals 01
Signals · Etching on gilded aluminium · 2020

PLATE · 009 · FACADES
Facade
Facades · Ink & etching on gilded aluminium · 2023

PLATE · 010 · DIGITAL WORKS
Entangled
Digital Works · Digital print · 2023

PLATE · 011 · PHYSICAL WORKS
Weight of it All
Physical Works · Laser cutting and drawing on woodblock · 2023

PLATE · 012 · CHIMERA
Chimera 07
Chimera · Digital print · 2023

PLATE · 013 · NET
www
Net · Digital print · 2018

PLATE · 014 · PROFILES
Profiles 05
Profiles · Digital print · 2022

PLATE · 015 · DIGITAL WORKS
Time For Ealing
Digital Works · Projection / installation (still) · 2023

PLATE · 016 · PHYSICAL WORKS
Free Fall
Physical Works · Physical work · n.d.

PLATE · 017 · NET
Into The DMs
Net · Digital print · XR experience · 2020

PLATE · 018 · ELEMENTAL
Elemental I
Elemental · Archival pigment print · n.d.
02 — Bodies of work

03 — Record
Click an image to open the exhibition report









Material
Hahnemühle Photo Rag · hand-numbered · certificate of authenticity
Archival pigment prints — limited editions, produced to order
Enter the edition room →04 — Editions
From the plate to the wall. Museum-grade archival pigment prints, hand-numbered and produced in strictly limited editions — printed to order, shipped worldwide.
Size & material
Featured
All in this room
05 — Studio

Camberwell College of Arts, UAL
University of Nottingham
Charles Harrop-Griffiths works with the visual archive — the way memory, identity, and technology rewrite the same image across screen, plate, and room.
His practice moves between photography, digital composition, physical transfer on aluminium, and XR environments. Exhibitions have ranged from Gazelli Art House in Mayfair to rooms in Dubai, Brooklyn, Paris, and Hamilton.
Editions exist so a plate can leave the archive and sit on a wall — museum-grade pigment prints, hand-numbered, produced to order. The site is the catalogue; the work remains the point.